It had a to feel like a step-change in painting.”Īnderson’s movies frequently gesture to their own artifice, kicking back against realism and mundanity in all spects. The storyline with the paintings is that they’re like something that is going to change the world of painting, so it had to be something energetic and vibrant painted into the wall with texture. These large-scale artworks with the violent undertones of Francis Bacon and the sculptural quality of Larry Poons, were created by real-life artist Sandro Kopp. The exhibition also includes the actual “Concrete Masterpiece” by the film’s incarcerated artist, Moses Rosenthaler. “As you go through the exhibition and meet each of the individual writers – Barrington, Clements, and so on – you get a feel for each of the characters in their own world in the story of the film.” “The beginning of the exhibition is establishing Howitzer and the French Dispatch – the magazine itself and who the writers are, with little vignettes about a costume, a scene from the film, and their props,” he tells Dazed. Timon Hill reveals the concept and creation of this immersive Wes Anderson experience as we walk through the exhibit. “We made a decision not to recreate stuff from the film but to just show real things.” “Everything in here is either a still from the film or an actual costume or piece of scenery or miniature,” explains Timon Hill. It serves classic French refreshments depicted in the movie – the attention to detail is so great that even the chairs and tables have been brought in from the original film set. The exhibition features real props, artwork, miniatures, and costumes, culminating in a working recreation of the film’s cafe, Le Sans Blague. ![]() We explore Howitzer’s office, complete with a detailed notice board chronicling the magazine’s current issue-in-progress, his desk and personal effects, as well as the prison cell which confines artist Moses Rosenthaler (played by del Toro), the show invites visitors to enter the curious world of Ennuie-sur-Blazé. The film finally opens today (October 22) in cinemas across the UK, so we took a walk through The French Dispatch exhibition at 180 The Strand with the film’s art director, Kevin Timon Hill.
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